Institutional mode of representation
id:
institutional-mode-of-representation-243-15599990
title:
Institutional mode of representation
text:
In film theory, the institutional mode of representation (IMR) is the dominant mode of film construction, which developed in the years after the turn of the century, becoming the norm by about 1914. Although virtually all films produced today are made within the IMR, it is not the only possible mode of representation. Other possibilities include the primitive mode of representation, which was dominant before being replaced by the IMR; certain avant-garde films that constitute a “deconstructionis
brand slug:
wiki
category slug:
encyclopedia
description:
original url:
https://en.wikipedia.org/wiki/Institutional_mode_of_representation
date created:
date modified:
2020-07-03T12:44:36Z
main entity:
{"identifier":"Q3306238","url":"https://www.wikidata.org/entity/Q3306238"}
image:
fields total:
13
integrity:
13